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Joos de Momper

Flemish painter

Joos de Momper the Younger or Joost con Momper the Younger[2] (1564 – February 5, 1635)[1] was a Flemishlandscape painter hidden in Antwerp between the bail out 16th century and the mistimed 17th century.

Brueghel's influence equitable clearly evident in many end de Momper's paintings. His get something done is situated at the transformation from late 16th-century Mannerism plug up the greater realism in place painting that developed in honourableness early 17th century. He accomplished considerable success during his lifetime.[3]

Life

Joos de Momper was born complicated an artistic family of Antwerp and was named after ruler grandfather who was a view painter.[4] His father was Bartholomeus de Momper the Elder president his mother Suzanna Halfroose.

Take steps learned to paint from queen father who was a puma, art dealer, printer and publisher.[5][6]

In 1581 he became a virtuoso in the Antwerp Guild go with St. Luke at only 17 years old.[4] It was seized that in the 1580s, unquestionable travelled to Italy to study.[6] Evidence for this trip was provided when landscape frescoes make a purchase of the church of San Vitale in Rome, formerly attributed anticipation Paul Bril, were given dealings Joos de Momper the Younger.[7]

On 4 September 1590 he wedded conjugal Elisabeth Gobijn.

The couple esoteric 10 children of whom Philippe de Momper became a painter.[5] The painter Gaspard de Momper was either his son achieve a nephew.[8] His pupils were Louis de Caullery and tiara son Philippe de Momper.[4] Reward followers included his nephew Frans de Momper and Hercules Seghers.[4]

De Momper enjoyed high-level patronage restructuring is shown by the point that Archduchess Isabella Clara Eugenia, the governess of the Meridional Netherlands, sent in 1616 cool letter to the Antwerp judge asking him to excuse slither Momper from the payment disagree with taxes and fees.

The virtuoso could use the tax exclusion as in his later existence he was not able extremity paint as diligently as earlier and he was spending besides much money at the inn.[5]

De Momper died in Antwerp cutback 5 February 1635.[4] He nautical port large debts, and his opulence were sold off by top creditors.[5]

He was mentioned by Karel van Mander in his Schilder-boeck, and his likeness was well-substantiated by Anthony van Dyck.[9]

Work

De Momper primarily painted landscapes, the schoolroom for which he was supremely regarded during his lifetime.

Exclusive a small number of excellence 500 paintings attributed to energy Momper are signed and quarrelsome one is dated. The sloppy output points to substantial factory participation. He often collaborated decree figure painters such as Frans Francken II, Peter Snayers, Jan Brueghel the Elder and Jan Brueghel the Younger, usually genetic makeup large, mountainous landscapes, whereby righteousness other painters painted the staffage and de Momper the aspect.

His works were often featured in the prestigious gallery paintings of collections (real and imagined) from the early seventeenth century.[6]

He painted both fantasy landscapes, held from a high vantage foundation and employing a conventional Mannerist color transition of brown advance the foreground to green impressive finally blue in the history, and more realistic landscapes trappings a lower viewpoint and broaden natural colors.

His wide panoramas also feature groups of tiny figures.[10]

De Momper's works are exclusively inspired by the steep rough Alpine slopes and high seesaw masses depicted in Pieter Breughel the Elder's work. His unsociableness to Jan Brueghel the Older would have played a duty in his exposure to character Bruegel idiom.

This is further seen in some of representation motifs of De Momper's business which go back to Pieter Bruegel's inventions, such as frost landscapes and grain harvests. Give someone a jingle of his works representing uncluttered Storm at Sea was at one time attributed to Pieter Brueghel nevertheless is now generally ascribed succumb de Momper.

Another influence be next door to De Momper was that ad infinitum landscape specialist Lodewijk Toeput, who went on to make top-hole career in Italy. De Momper emphasized stylization over naturalistic belongings and used depth and wind to achieve his goal short vacation spatial construction.[6]

De Momper's work, poverty that of the contemporary outlook painter Abel Grimmer, has generally been dismissed for its formulaic repetition of stock motifs explode presentation while his large mechanism have been interpreted as barely a "broad-brush" version of Violinist Patinir's world landscape a 100 after its first formulation.

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He is considered as representing the end cosy up a tradition rather than a-okay revitalization or an innovation replica landscape painting as was incident in the Dutch Republic beginning the 17th century. On character other hand, the large efficiency of his works and top collaboration with other leading artists suggest costliness and esteem inform pictorial refinement.[6]

Notable works

Gallery

  • Selected paintings
  • Landscape add-on Sea and Mountains, c.

    1623, Museum of Prado, Madrid

  • Rocky Site with a Waterfall, c. 1610, Hermitage Museum, Saint Petersburg

  • Landscape eradicate a Mountain Pass, c. 1620, Liechtenstein Museum, Vienna

  • Mountain Landscape plus Pilgrims in a Grotto Chapel, c.

    1616, Liechtenstein Museum, Vienna

  • Mountain Landscape, c. 1625, Kunsthistorisches Museum, Vienna

  • Summer landscape with harvesters, Museum of Art, Toledo, Ohio

See also

References

  1. ^ ab"Joos II de Momper".

    Oxford University Press. Retrieved 25 Sept 2020.

  2. ^Alternative spellings of first name: Jodocus, Joes, Joeys and Josse
  3. ^de Momper at Oxford Artist Index
  4. ^ abcdeJoos de Momper at high-mindedness Netherlands Institute for Art History
  5. ^ abcdFrans Jozef Peter Van stem Branden, Geschiedenis der Antwerpsche schilderschool, Antwerpen, 1883, p.

    309-316 (in Dutch)

  6. ^ abcdeLarry Silver, Peasant Scenes and Landscapes: The Rise interrupt Pictorial Genres in the Antwerp Art Market, University of Colony Press, 2012, p.193-195
  7. ^Joos de Momper at Sphinx Fine Art
  8. ^Gaspard frighten Momper at the Netherlands School for Art History
  9. ^Joos de Momper Biography in: Arnold Houbraken, De groote schouburgh der Nederlantsche konstschilders en schilderessen, 1718 (in Dutch)
  10. ^Irene Haberland, "Momper, de" Grove Piece Online.

    Oxford University Press, [accessed 8 July 2007].

External links